Friday, December 28, 2012

On Frans Masereel’s The City

Those in the know, who follow my Finnegans Wake illustration project, will have recognised that I’ve been shamelessly ripping off the art of Frans Masereel for months. The City is a 100-page series of unconnected woodcuts without words known as an “image novel”, and I’ve been fascinated with it ever since I discovered it.

Frans Masereel was a Belgian artist who lived in Paris in the early 20th Century. Although he also produced paintings, he’s best remembered now for his series of woodcut prints. I haven’t managed to see many of his other works, but of what I have seen, The City, published in 1925, is by far the most interesting. A sprawling, polyglot metropolis in perpetual night, the unnamed city could be a vision of Babel. The surrounding countryside is visible in only one image; in the others, the forced, disjointed perspective sends buildings climbing up the page and crowding out the sky.

On one level, Masereel draws his disconnected images into a universalised vision of dizzying modernity, stalking the crowded streets from palaces to slums, from the crush of traffic to the swelter of factories; from murders and executions to cabarets and brothels, riots and revolutions. But what makes the book enduringly fascinating is the shadow of overbearing menace that casts every scene with the aspect of a dark and troubling dream. Sex, death and generalised fear infect the atmosphere in lurid advertisements and suggestive statuary, as if city is being overrun not by revolutionaries, but by its inhabitants’ own nightmares.

The whole series can be viewed online in atrocious quality, but it really deserves to be seen in print. Dover has a fairly hideous edition, which I was saved from having to buy when I found this eccentrically produced copy, a tiny little book in a burlap dust jacket, with an introduction by Stefan Zweig. I carried it around with me everywhere until eventually it was put in the washing machine with my jacket. It’s never been the same since.

Thursday, December 27, 2012

The City Character Sketches


Because I need something to occupy myself in the ten minutes every day between changing my son’s nappies and my daily nervous breakdown, I realised that I need to start a new project. The City is an idea for a comic that I’ve been thinking about for a while now, and it’s finally approaching the stage where I might be able to post a few pages in the next few weeks. It’ll be a mixture of spy fiction, gag strips and Kafka, inspired by the great proto-comic by Frans Masereel (of whom more later). I’m not sure when I’ll get the whole thing going, but here are some preliminary character designs to be getting on with.

Saturday, July 21, 2012

Arbeit Macht Fries

Here’s a rather sillier poster than the last one, to protest the brutal suppression of chips by McDonald’s in the London Olympics.

I fear it may have missed its ideal cultural moment, but it was a special request, so I couldn’t abandon it. Especially not after my wife came up with the amazing pun.

Tuesday, July 10, 2012

Tax the Rich

Download in colour
Download in black and white

To celebrate the UK financial industry’s £92 million of lobbying last year, how about some political messaging? Anyone who follows me on twitter knows that I’m tiresomely interested in politics. For some time now I’ve been thinking about combining that interest with design by making some freely available political posters.

Anyone remember UK Uncut? I loved the simplicity of their message: don’t cut public services. Every other important principle for the Left right now follows logically from that. Austerity solves nothing. The government creates value. Firing people makes things worse, not better.

Any suggestions in that direction are shouted down with incomprehensible gibberish about bond yields. But there is a simple alternative to both cutting and borrowing. Tax the rich, you idiots. You say they’ll leave? What good are they doing here anyway if they don’t pay tax? It looks like the only thing approaching an economic plan that the Tories have is to convert Britain into a tax haven, where the idle rich can live in luxury, but the council can’t afford to collect the rubbish.

So here you are. Take my pig poster, and do what you will with it. It’s A3 size, in either colour or black and white.

Creative Commons License
Tax the Rich by Stephen Crowe is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License.

Saturday, June 9, 2012